Did you know how fashion dolls began? They go back to the 14th century, but were mainly popular in the 18th and early 19th centuries as a way for dressmakers and tailors to demonstrate their fashions to their customers. Dolls could be used to demonstrate a new fashion in various fabrics or to show how variations on a particular fashion could work. They could also show what the latest fashions were in France . . . at least until Napoleon banned them during the Napoleonic Wars. He was afraid they’d be used to send secret messages to his enemies in England! They were still used a while longer in England, but eventually fell out of favor when fashion magazines became popular. But if you want to see an antique one, just check out this doll with a whole trousseau from 1810.
Regency era women of the ton wore beads (glass, not plastic) all the time . . . but on their dresses and reticules and even shoes! There’s a lovely example of a Regency beaded gown here. Just imagine how much time it took to sew all those colored beads on, not to mention drawing out the design in the first place. Years ago, I made my own wedding dress and sewed tiny pearls on just portions of it, and it took hours of work for my simple decoration. This is far more complex. So I would imagine only the rich could afford such a gown.
Those of you who’ve read The Bachelor might have noticed that I talked about the odd attire required for those ladies presented at court and their escorts. Well, I didn’t make that up. Queen Charlotte did insist on powdered wigs for gentlemen and hoop skirts, ostrich feathers, and lots of jewelry for ladies. You can see several examples of those odd fashions here.
Young ladies had to wear white, but married ladies (like Beatrice) could wear colored gowns. Add a train to the gown, and you can only imagine how hard it was to walk in those fashions! Fortunately, ladies only had to wear them for their presentation at court. Then they could change into something more flattering.
Boys in the Regency did not dress the way we dress children now. They wore little “frocks” like girls until they were of a certain age (I’ve seen anywhere from 3 to 6 designated). Then they were “breeched” or put into breeches for the first time. In the Regency, this meant they were buttoned into a skeleton suit. And no, it’s not the Halloween costume—these were more like our modern day rompers, but with a coat-like top and trouser-like bottoms that buttoned together.
My heroine in The Risk of Rogues really loves big, elaborate hats. But I’ll tell you a little secret. She wasn’t that out of the norm for the times. In the 1830’s, the hats were outrageous! Some of these concoctions were three times the size of the wearers’ heads. Just go look at my Pinterest page for the novella if you don’t believe me. They’re replete with towering feathers, blossoming turbans that stick out like giant mushrooms atop their heads, and strange mixes of large hat brims atop tiaras with feathers sticking out all over. I think it just depended on who you were and how far you wanted to go. Honestly, Lady Anne would probably have been right in sync with some of society’s fashionistas!
A prominent part of Hart’s story next July is his heroine’s love of hats and the feathers that adorn them. Lady Anne, who had a bit part in The Study of Seduction and wore outrageous hats, is his heroine, and he even gives her a peacock feather. Feathers were an important part of fashion in that period. Any young lady presented at court for her society debut was required to wear one or more towering plumes. Because of the expense, wearing a large ostrich plume showed that you were wealthy. But feathers could be found anywhere and incorporated into the design of hats, capes, reticules, etc. There were even professional feather-sellers called plumassiers, who ply their trade even today. So if you’re a lover of feathers, like me, you would be right at home in the Regency.